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Author : Barbara Deimling
language : en
Release Date : 2000
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Florence's golden child: The Early Renaissance master During Sandro Botticelli's lifetime (1444/45-1510), the influence of his art scarcely reached beyond his native Florence, and following his death he was soon forgotten, to be rediscovered only in the 19th century by the Pre-Raphaelites. Since then, Botticelli has ranked among the greatest of the Renaissance artists. In the Uffizi Gallery in Florence, paintings such as"Primavera" and "The Birth of Venus" are among the foremost attractions for tourists and art lovers. Botticelli's captivating figures of women, his intimate portrayals of the Madonna and Child, and the angelic beauty of his adolescents are famous the world over today. The artist's life and work are explored in this thoughtful and beautifully illustrated study.About the Series: Each book in TASCHEN's Basic Art Series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 colour illustrations with explanatory captions
Author : Emile Gebhart
language : en
Publisher: Parkstone International
Release Date : 2012-05-08
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He was the son of a citizen in comfortable circumstances, and had been, in Vasari’s words, “instructed in all such things as children are usually taught before they choose a calling.” However, he refused to give his attention to reading, writing and accounts, continues Vasari, so that his father, despairing of his ever becoming a scholar, apprenticed him to the goldsmith Botticello: whence came the name by which the world remembers him. However, Sandro, a stubborn-featured youth with large, quietly searching eyes and a shock of yellow hair – he has left a portrait of himself on the right-hand side of his picture of the Adoration of the Magi – would also become a painter, and to that end was placed with the Carmelite monk Fra Filippo Lippi. But he was a realist, as the artists of his day had become, satisfied with the joy and skill of painting, and with the study of the beauty and character of the human subject instead of religious themes. Botticelli made rapid progress, loved his master, and later on extended his love to his master’s son, Filippino Lippi, and taught him to paint, but the master’s realism scarcely touched Lippi, for Botticelli was a dreamer and a poet. Botticelli is a painter not of facts, but of ideas, and his pictures are not so much a representation of certain objects as a pattern of forms. Nor is his colouring rich and lifelike; it is subordinated to form, and often rather a tinting than actual colour. In fact, he was interested in the abstract possibilities of his art rather than in the concrete. For example, his compositions, as has just been said, are a pattern of forms; his figures do not actually occupy well-defined places in a well-defined area of space; they do not attract us by their suggestion of bulk, but as shapes of form, suggesting rather a flat pattern of decoration. Accordingly, the lines which enclose the figures are chosen with the primary intention of being decorative. It has been said that Botticelli, “though one of the worst anatomists, was one of the greatest draughtsmen of the Renaissance.” As an example of false anatomy we may notice the impossible way in which the Madonna’s head is attached to the neck, and other instances of faulty articulation and incorrect form of limbs may be found in Botticelli’s pictures. Yet he is recognised as one of the greatest draughtsmen: he gave to ‘line’ not only intrinsic beauty, but also significance. In mathematical language, he resolved the movement of the figure into its factors, its simplest forms of expression, and then combined these various forms into a pattern which, by its rhythmical and harmonious lines, produces an effect upon our imagination, corresponding to the sentiments of grave and tender poetry that filled the artist himself. This power of making every line count in both significance and beauty distinguishes the great master- draughtsmen from the vast majority of artists who used line mainly as a necessary means of representing concrete objects.
Author : Diletta Corsini
language : en
Publisher: Giunti Editore
Release Date : 1998
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Author : Charles Dempsey
language : en
Publisher: Oxford University Press
Release Date : 2016-04-01
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Sandro Botticelli, painter and draughtsman, was one of the most esteemed painters in Italy in his lifetime, enjoying the patronage of the leading families of Florence, summoned to take part in the decoration of the Sistine Chapel in Rome, and commended by the great diplomatic, scholarly, and artistic leaders of his time. Lauded for his superb technique as a draughtsman and colorist and for his skilled use of the new tempera grassa medium, his art represented the maturation of the humanist conception of painting. By his death, however, Botticelli's reputation was already waning - overshadowed by the advent of the High Renaissance style - and his name virtually disappeared from the art historical canon. This fully illustrated Grove Art Essentials title delves into Sandro Botticelli's life and working methods and explores the artist's career from early training and the production of his mythological and religious masterpieces to the eventual reassessment of his reputation that gathered momentum at the close of the 19th century.
Author : Chiara Basta
language : en
Publisher: Rizzoli International Publications
Release Date : 2005
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This pioneering art series combines stunning high-quality color reproductions with expert commentary on the most popular artists of all time at an extremely accessible price. Giotto, Raphael, Leonardo da Vinci, Michelangelo, Botticelli, and Vermeer are names well known to any student of art history, museum-goer, or culturally engaged individual. Rizzoli is pleased to launch its Classics of Art series with monographs on these six world-renowned painters, whose signature styles and sheer genius continue to inspire both scholars and lay people to this day. Each book in this series features a literary introduction and thoroughly researched essay followed by a section devoted to a detailed description of a selection of the artist's masterpieces. An extensive chronology of the artist's life and important historical events of his era as well as a compilation of remarks by famous historians, modern and old, add cultural perspective and insight into each painter's stylistic development. A visual chart with captions as to the whereabouts of each painting and a concise bibliography with suggested further reading provide invaluable research tools. With authoritative text by leading art historians from around the globe, these lavishly illustrated editions provide fresh insights into the art and lives of the most brilliant artists in the history of painting. No matter what your knowledge of art history, this series will compel you to explore a world of art beyond the canvas.
Author : Daniel Arasse
language : en
Publisher: Skira - Berenice
Release Date : 2003
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This catalogue is published in conjunction with the major Fall 2003 exhibition organized by the Musée du Luxembourg in Paris. This important and unprecedented exhibition covers the entire career of the Florentine master with over 40 exceptional masterpieces gathered from major museums around the world. Sandro Botticelli was one of the leading painters of the Florentine Renaissance who developed a highly personal style characterized by elegant execution, sense of melancholy and strong emphasis on line. This monograph presents a selection of Botticelli's paintings and drawings, including extraordinary masterpieces such as the Mystic Nativity, St. Augustine in his Studio, Pallade and the Centaur, Annunciation and Madonna and Child, as well as a selection of works by other Renaissance painters like Leonardo da Vinci, Piero di Cosimo, Filippo and Filippino Lippi.
Author : A. Streeter
language : en
Publisher: Palala Press
Release Date : 2015-09-03
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.