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Jacopo Tintoretto And The Scuola Grande Of San Rocco


Author : Francesco Valcanover
language : en
Publisher: Storti
Release Date : 1983


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Jacopo Tintoretto


Author : Thomas Nichols
language : en
Publisher: Oxford University Press
Release Date : 2016-04-01


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Jacopo Tintoretto was the most prolific painter working in Venice in the later 16th century. Though his early career was marked by the struggle to achieve recognition, in his mature years he worked extensively on decorations for the Doge's Palace and for the meeting-house of the Scuola Grande di S Rocco. In addition to his religious and mythological works, Jacopo also painted many portraits of prominent Venetians. His swift, abbreviated style was, however, never wholly accepted by the leading aristocratic families that dominated Venetian cultural life and, despite a long and busy career, Jacopo Tintoretto apparently never became rich. This fully illustrated Grove Art Essentials title introduces Tintoretto's life and work, the development of his style, and his critical reception, and it includes an extensive bibliography to jumpstart further study of this remarkable Renaissance painter.

Jacopo Tintoretto


Author : Paola Rossi
language : it
Publisher:
Release Date : 1996


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Jacopo Tintoretto E La Scuola Grande Di San Rocco


Author : Francesco Valcanover
language : it
Publisher:
Release Date : 1983


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Jacopo Tintoretto


Author : Miguel Falomir Faus
language : en
Publisher: Brepols Pub
Release Date : 2009


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" Table of contents: I. Tintoretto and the Venetian Culture and Religious Environment Paul Hills, Tintoretto and Venetian Gothic – Augusto Gentili, Tintoretto in contesto tra politica e religione – Benjamin Paul, Archaism and Pauline Spirituality in Jacopo Tintoretto’s Crucifixion for SS. Cosma e Damiano – Tom Nichols, False Gods: Tintoretto’s Mythologies as Anti-poesie – Bernard Aikema, La casta Susanna II. Tintoretto and the Art of his Time Philip Cottrell, Painters in Practice: Tintoretto, Bassano and the Studio of Bonifacio de’ Pitati – Roland Krischel, Jacopo Tintoretto and Giulio Romano – Miguel Falomir, Tintoretto y Tiziano – David Rosand, Tintoretto and Veronese: Style, Personality, Class – José Álvarez Lopera, Sobre Tintoretto y el Greco – Stefania Mason, Domenico Tintoretto e l’eredità della bottega III. Connoisseurship Robert Echols and Frederick Ilchman, Toward a New Tintoretto Catalogue, with a Checklist of Revised Attributions and a New Chronology IV. Technique and Conservation Erasmus Weddigen, The Works of Tintoretto: Sewn, Designed, Patched and Cut. The Uncertainty of Canvas Measurements – Ana González Mozo, El concepto de dibujo en Jacopo Tintoretto: análisis de los recursos técnicos utilizados en algunos cuadros del Museo Nacional del Prado – Robert Wald, Tintoretto’s Vienna Susannah and the Elders. History, Technique and Restoration V. Theory and Collecting Maria H. Loh, Huomini della nostra età. Tintoretto’s Preposterous Modernity – Almuneda Pérez de Tuleda, Coleccionismo de Tintoretto en España en torno a 1600 – Linda Borean, Jacopo Tintoretto nelle collezioni veneziane del Sei e Settecento – Leticia de Frutos, Tintoretto en las colecciones del marqués del Carpio y del Almirante de Castilla "

Jacopo Tintoretto 1519 1594


Author : Roland Krischel
language : en
Publisher: Konemann
Release Date : 2000


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This text is an extensive body of work which is strongly rooted in the history, social structure, and cityscape of the birthplace of Jacopo Tintoretto.

Tintoretto


Author : Tom Nichols
language : en
Publisher: Reaktion Books
Release Date : 2015-10-01


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Jacopo Tintoretto (1518–94) is an ambiguous figure in the history of art. His radically unorthodox paintings are not readily classifiable, and although he was a Venetian by birth, his standing as a member of the Venetian school is constantly contested. But he was also a formidable maverick, abandoning the humanist narratives and sensuous color palette typical of the great Venetian master, Titian, in favor of a renewed concentration on core Christian subjects painted in a rough and abbreviated chiaroscuro style. This generously illustrated book offers an extensive analysis of Tintoretto’s greatest paintings, charting his life and work in the context of Venetian art and the culture of the Cinquecento. Tom Nichols shows that Tintoretto was an extraordinarily innovative artist who created a new manner of painting, which, for all of its originality and sophistication, was still able to appeal to the shared emotions of the widest possible audience. This compact, pocket edition features sixteen additional illustrations and a new afterword by the author, and it will continue to be one of the definitive treatments of this once grossly overlooked master.